Tristan: A Song for the Superior Man is a new play by Chenoeh Miller asking what it means to be a good man, and it finds its answers in the voices of her own cast.
Photographer Paul McDonald is possessed by two things. The first is a set of mysterious and intimate medical slides found by chance at an auction and carried with him ever since; and the second is the very concept of masculinity.
Shoeb Ahmad is a father, musician and sound technician, who after a period of prolonged reflection decided that identifying as male was no longer right for her.
A member of the Canberra legislative assembly, Mark Parton, claimed recently that white men over the age of thirty who have stable employment aren’t included in anything. There’s a lot to unpack in that, and unpack it all is what we set out to do.
Deliberate or subconscious, the way that men dress themselves has enormous significance to the way we think about masculinity. I speak with a lecturer at London College of Fashion to find out more.
While we discuss and debate our diverse cultural and personal constructions of masculinity, it’s worth bearing in mind that the evolutionary evidence also suggests a certain fluidity. What it means to be a man has changed, across history and prehistory, in both cultural and biological terms.
At the edge of Lake Burley Griffin I could see Parliament House across the water, and in the distance I tried and failed to make out the view I’d seen posted on Twitter: hundreds of pink paper hearts planted in the lawn reading “All Love Is Equal”.